Friday 9 October 2009

Aurelie and Cardboard Lung at the Merzbarn

Aurelie's Glenn Boulter and John Hall (the Cardboard Lung) made their way up the A590 last Saturday to discuss the upcoming FON Festival at the annual Kurt Schwitters Herbst-Schule. The art/architecture conference took place in and around Kurt Schwitter's 'Merzbarn' at the Cylinders Estate near Elterwater. The event included a seminar on artist led learning projects, performances and discussions on the future of the Merzbarn.

Glenn and John performed on Saturday evening at the Merzzzoom Cabaret, employing laptops, amplified mixing bowl, buddha machine and a mangled Patti Smith cassette. Other acts included the Lakeland Fiddlers and East Lancs. band Funnel whose set featured rousing renditions of Ursonate and Anna Blume.

Kurt Schwitters and David Medalla preside over the closing buffet at Cylinders Estate.

We'd like to thank Ian and Celia of Littoral for inviting us along to KS09 and look forward to collaborating in the future!

Thursday 27 August 2009

Post-Grimeborn Musings

Aurelie members convened in the capital this Monday for a performance of their football drone opera 'An Unorthodox 1-2'. Sharing the bill with composer Jenni Roditi, the piece was selected for the gala night of the Arcola Theatre's annual festival of alternative opera, Grimeborn.



Regular members Glenn Boulter, Dave Dhonau and Euan Rodger were joined by Barrow-based actor Damian Rose and artist/musician John Hall who was responsible for commissioning the piece as part of a residency at Barrow AFC in 2008. Endgame's Jim Tetlow was also on hand to document the performance.



The show played to a sold-out audience (including Swiss Aurelie fan Aurélie Emery and long-time anti-guitar campaigner Leon Cole) and featured some dextrous live looping from Damian accompanied by cello, crowd samples and electronics. The piece was warmly received, with the only dissenting voice coming from the Independent's hilariously ill-informed theatre critic Michael Coveney:

'Sounds of the terraces have twice been excitingly evoked by Andrew Lloyd Webber in Evita and The Beautiful Game, but Boulter and his gloomy half-hour serial score concentrates on the anomie of an abandoned pitch, wind rustling in the grass, a reiterated litany of unknown players, a solitary fan. We see all that on film while Damian Rose sits hunched over his paper in Barrow's blue-and-white strip and four musicians mix cello and percussion scratching with taped fragments.'

As Euan put it: "If we'd only had a glossy programme and someone ex-eastenders-now-secondary-character-in-the-Bill as the lead. Or perhaps we should try a bio-opera of Madonna in bronze age Britain?"

Luckily the North West Evening Mail were on hand to big us up:
(Click here to read)

Watch this space for news of further performances at the Royal Opera House 2 in November!

Aurelie woud like to thank to Alex Sutton and the Arcola for all their hard work in organising this event. Special thanks go to Nick O'Donnell Smith for his pre-show demonstration of the iPod trombone.

Friday 22 May 2009

Aurelie at Grimeborn 09



Aurelie's 'football drone opera' An Unorthodox 1-2 has been selected for the opening night of a London opera festival. Grimeborn 09 takes place at the Arcola Theatre during August and September. More information to follow.



More from the Roxy

An evening of audio visual performances in the surroundings of Ulverston's immaculately preserved art deco cinema.



Andrew Deakin opened the proceedings screening John Cage's film 'One11' alongside a meditative electro-acoustic composition. Aurelie were up second with an outing for their piece 'Silence is Twice as Fast Backwards' in which a series of film subtitles are stripped of their images, providing the starting point for 5 group improvisations. Third was a song-based laptop and guitar set from Mondo Bongo (alias actor and musician Damian Rose) accompanying his own Barrow AFC-inspired visuals. The event culminated in a visceral performance by Good Noise Bad Noise that took Italian horror classic 'Suspiria' as the raw material for a series of intense audio-visual improvisations.



Dave Dhonau and Endgame's Jim Tetlow brave the crowd of pensioners for a quiet moment with Ulverston's finest ... followed by post gig ramblings in search of impressive lichen.



Thursday 23 April 2009

Aurelie: Documents from the Roxy Cinema, Cumbria 22_04_09

 Images: Argañaraz Lumen.







             
























Saturday 11 April 2009

I'll gladly play the role of Mephistopheles. Requiem.

Ikiru. A visual extract from 'Silence is twice as fast backwards' - which
we played live in 04/2008 at the Phoenix Arts centre - Which is now
regrettably closing down at the hands of ill informed councillors in the
name of 21st Century culture regeneration.

Delta Golf & Foxtrot at the Brudenell



Our travel & imagery gratitude to Jim Ultima Thule.

Monday 6 April 2009

Live Music and Video at the Roxy



An evening of experimental music and visuals from Good Noise Bad Noise, Aurelie, Andrew Deakin and Mondo Bongo.

*Rescheduled from January.

Wednesday 28 January 2009

An Unorthodox 1-2 at Last FM


A full-length preview of An Unorthodox 1-2 is now available
at www.last.fm

Click here to listen to tracks from An Unorthodox 1-2

Or contact aurelie@aurelie.org.uk to order a copy of the CD in a limited edition,
hand-finished sleeve.

(Priced at £8 inc. P+P within the UK)



‘An Unorthodox 1-2’ combines field recordings, spoken word, and instrumental material to explore the aural environment of the ground from the physical sounds of the game to the emotional response of the crowd and the acoustics of the site. Inspired by his visits to the Holker Street ground, Glenn Boulter produced a series of texts that he later recorded with Barrow-based actor Damian Rose. Drawing on early radio dramas, these fragmentary monologues collage together adverts for defunct local businesses, found text from programmes and elements of local geography.



Edited and looped, the spoken texts form the starting point for three instrumental pieces, performed by Aurelie members Francis O’Donnell Smith (guitar, laptop, production), David Dhonau (cello, bass), Euan Roger (percussion, electronics) and Ola Szmidt (flute). Combined, the two elements attempt to capture the unique aura of match day in a Cumbrian town and to make explicit the idea of the game as a performance in its own right.