is Mr Boulter aware of this?

?

a different Barrow I think. Glenn especially, this is a reasonably good resource:

http://www.new.facebook.com/group.php?gid=23858120583#/group.php?gid=23858120583

Welcome to the Cheap Seats

Barrovian music-lovers were treated to a sneak preview of Aurelie's forthcoming football drone opera An Unorthodox 1-2 this Sunday at the annual Barrow Live festival. Adverts for defunct local businesses and bits of feedback drifted seagull-like from the precariously positioned 'acoustic kiosk' towards a largely unmoved crowd.

However, the set was curtailed shortly after the twelve minute mark when it was announced that the Wonder Stuff were ready to launch into their ubiquitous bovine anthem. Other festival highlights included a water-free hook-a-duck stall and a Herzog doppelganger disguised as a St John's ambulance volunteer.

3 Vs. 15

Aurelie at the Phoenix on July 25th 08.
Players.
Francis O Donnell Smith (Piano - bowed and processed guitar - electronics - vox)
David Dhonau (Cello: Live looping - bass guitar - gameboy electronics)
Ola Szmidt (Masterful flute playing - vox)
Glenn Boulter (Sadly missed)
Euan Rodger (Sadly missed)

Images: Matthew Everatt

Aurelie/ Live at Phoenix Arts 25/07/08

A U R E L I E - Silence is twice as fast backwards

Aurelie: Live at Phoenix Arts 09_05_08




Let’s make up for your wasted life.
I’ll gladly play the role of Mephistopheles tonight.
A virtuous one, who demands no payment.
We even have a black dog.
Show us the way.

Images: Ola Szmidt (With thanks)

Paint a Vulgar Picture

Some newly cropped and artificially-aged recollections of the oil paint/real ale/penguin biscuit-splattered session that was the KLA tea party. August 2007.

Metro-Astley-Cocteau

Ephemera rescued from the many angled interior of the Black Drape Labyrinth...

Phoenix Set List (so far)

Rough outlines of pieces for Friday night, in running order. 5 Pieces of 10 minutes each. Black screen indicates stop and change to next piece (similar to the Haymarket). Feel free to add to or edit this. Also there is the all-important question of the after-show curry to be addressed....

1. Processed guitar piece. Starts off unaccompanied. Euan and Dave to come in. Glenn to play stuttering guitar drones.
Accompanies scene from The Perfect Human.

2. Conversation piece. To be directed by Euan. Instructions to follow...
Accompanies scene from Ikiru by Kurosawa.

3. E Nose and E Bows. Starts with single note guitar loops from Glenn. Ebows from Frank. Eaun and Dave to enter after 3 minutes or so and take it somewhere dark and unpleasant.
Accompanies scene from The Enigma of Kaspar Hauser by Herzog.

4. Krautrock thing. Euan to play 4/4 beat (Euan says think Barnowl by Caribou: http://uk.youtube.com/watch?v=fFOeAs9dYq4). Frank on acoustic piano chords. Dave on bass (a modicum of funk required). Glenn on guitar. Will practice this one a bit on Thursday.
Accompanies further scene to be picked by Frank

5. New Layers of Dave. Dave on cello loops unaccompanied to start with. Rest to enter with radios (clean, processed, sampled, whirled round head etc.).
Accompanies scene from Orphee by Cocteau.

Phoenix Show Schedule

WEDS. 7th PM- Planning/playing session at RPM. (Frank and Glenn, Dave if free)

THURS 8th PM - Planning/playing session at RPM. (Frank and Glenn, Dave if free)
- Drop off instruments etc. at Phoenix before 5pm. (Frank and Glenn)

FRI 9th - 11am soundcheck /set up at Phoenix. (Frank and Glenn, Dave if free)
- There may be a chance to check visuals at 2.30 - 3.30pm (Frank and Glenn)
- On stage at 8:30pm - approx. 9:15pm. (All)

Aurelie Land Handsome Trout

Good news from the PRS Foundation: our application was successful! We'll be receiving a handsome 4 figure sum over the next 6 months towards finding and putting on shows, travel expenses and commissioning abstract choreography. Most importantly, this will have a ripple effect, leading to an invitable scaling up of the ritual pre-show victual takings.

In Praise of Burbage

Just read this and thought it was worth posting up - it's a rare interview with Henry Cow from 1974 in ZigZag magazine (lent to me by John Hall). I've been listening to/reading about them a fair bit since we last played... it seems like a lot of their working methods might be quite relevant to what we're doing... see what you reckon. Apologies for the somewhat ropey scanning - the magazine's slightly too big to fit in one go - there should only be a word or two missing here and there.

Aurelie/ Live at Phoenix Arts 09/05/08

Continuing in a series of performances, which aren't quite enough in number to constitute a tour, Aurelie are due to improv the heck out of the Phoenix Arts auditorium on May 9th 2008. The live show will serve as an opener/accompaniment to an exhibition of lovely video art from various associate artists. Exhibition begins at 8pm, performance to start at 8.30pm. All are welcome and admission is free.

One Hand Clapping

Aurelie performed at an (unintentionally) secret gig last Thursday for a crowd consisting largely of members of a local darts team who had wandered in from the tournament taking place next door. Aurelie in duo-mode performed three pieces using a limited palette of bowed guitar, processed radios and some epic Bitches Brew style trumpet blasts courtesy of Frank. This was preceded by a laptop set from Cardboard Lung and a live accompaniment to the Everton game improvised by both parties after the opening act failed to turn up.

lets grind back inta gear Lads

nice work G and F for the being the smallest live aurelie to date. Hope it went swimmingly (Pun in-semi-tended). Euan, thankyou for your effulgent emailing, look forward to butting heads with rythmically with you like a couple of barcode battlers in rutting season. As for me, busy with uni ( got to try and understand Advanced Computational intelligence, or at least convince other people I have - might just try sticking AI on the dvd player on repeat.) With le force (two - Count em honky- singles out), vid editing for American rappers, beatwriting for English rappers, taking in some live jazz courtesy of the Sole. Featuring celling on a new realease by moody Leicestrians "Her Name Is Calla", a record which, according to some "raise the bar of post rock above wot their peers are doijng" (that would be the MILKY bar, and high enough to make a limbo dancer nervous) Myspace em.

Yes. greatly looking forward to the 9th. Tis the day of my last hand in so soundcheck could be tricky. But on the plus side I'll be in high spirits so expect some lager shandies and uberfunk to be dropped that night. Wont be pretty I tell thee. Seriously though - I have a sweet new pick up for the cello, plus a boss looper so expect some tasty layers of dave. Most of the layers will be driven by a virulent hatred of Russell Bloody Hand... I mean Brand, whose annoying smarmy loathsome lotharious visage adorns seemijgly every newspaper / tv set in the country, and now (apparently) America too. Poo head.

On a lighter note (you'll like this Glenn) I bumped into Gregg Lucas, one of my old lecturers last week, who casually informed me that he had heard that I had just bought a house in Burbage. Lies, damned lies and... well Burbage. make of taht what thou wilst.

And now, my gentles, I will say adieu. Peace and.

D